Some years ago the Telecomix crew came up with the term datalove and wrote an according manifesto (see here for more details):
Love data Data is essential Data must flow Data must be used Data is neither good nor bad There is no illegal data Data is free Data can not be owned No man, machine or system shall interrupt the flow of data Locking data is a crime against datanity Love data
I use the term datalove quite often when referring to the free culture or open data movement. About two years ago I had the idea to create a voice mashup from the text and recorded various female friends reading the text. In order to give the mashup an electronic, digital feeling I alienated the voices a bit over an ambient electronic track (2012 by pielkor, CC-BY 3.0).
At the time, two years ago, the result was not like I imagined and I wasn’t satisfied. So I didn’t release it online. Yesterday I listened to the track again and was quite surprised. It was by far not as bad as I recalled it. This angers me somehow. I have a lot of stuff, video interviews, photos, software, visualizations, which I haven’t released because I was unsatisfied with the quality, got aware of technical shortcomings whilst working on the project or realized how it could have been done better. In part, I am also trying to avoid giving other people a possibility to attack my own work. Today I think it was stupid not to release projects like this and I regret it. It was a nice project and I should let other people decide if they can use it or not.
I have to thank Saron, Zenib, Sonja, Kate, Amrei, Natty, Jenny, Elizabeth and Lisa without whom this mashup would not have been possible. The track is licensed under a Creative Commons 4.0 International Attribution license (CC-BY 4.0).
The student group I participate in is called datalove as well, ulmAPI is an open data project by the datalove group.
Throughout human history, as our species has faced the frightening, terrorizing fact that we do not know who we are or where we are going in this ocean of chaos, it has been the authorities – the political, the religious, the educational authorities – who attempted to comfort us by giving us order, rules, regulations, informing – forming in our minds – their view of reality.
To think for yourself you must question authority and learn how to put yourself in a state of vulnerable open-mindedness, chaotic, confused vulnerability to inform yourself.
Auf die Universitaeten bezogen, ist das das Bild der Uni als Ermoeglichungsplatform. Studenten muessen von Ideen getrieben sein. Die Universitaet sollte dafuer sorgen, dass ideengetriebene Studenten ihr Potential bestmoeglich zum Nutzen der Menschheit entwickeln und umsetzen koennen. Dabei gilt es, den Studenten ein Fortbildungsangebot anzubieten, wissenschaftlichen Austausch zu beguenstigen, durch gute Ausstattung das Experimentieren zu ermoeglichen, und nicht zuletzt muss durch gemeinsame Werte eben diese Welt am Funktionieren gehalten werden.
I regularly participate in events by the Chaos Computer Club. I’ve been to the camp and held some seminars here in Ulm. Besides that we have a radio program at a free radio station here in Ulm: /dev/radio is on every two weeks for two hours at 13:00. 102.6 Mhz / Radio freeFM. Free radio means that anybody who becomes a member of the non-profit association and pays a small annual fee can get his own slot. /dev/radio plays only free music. Meaning music under a free license, preferably Creative Commons.
In one of the last broadcasts matou and hannes (right and left in the photo above) set up a challenge to submit a proposal for a jingle. A few hours before deadline I decided to give it a try. This is what I came up with:
The morse code in the beginning was originally created by matou via a smartphone morse app. I applied various effects and did some editing on it. The background song is licensed as CC-BY-NC and is called “Rooted in Peace” by rocavaco. It is available here.
There are some very good artists releasing music under the Creative Commons Attribution ShareAlike license out there. This means that you are free to download, share and remix the music, as long as you give credit and share derived work under a similar or the same license.
How do these artists make money from their music?
Giving your music away for free does not collide with making money from it! I actually think most people are willing to pay, under three conditions:
It just has to be really easy for them to pay. PayPal donations are not easy! Flattr for example is.
They get to decide how much money they want to pay.This means that you don’t attach a price label to digital content. Flattr has the great concept where you always know: no matter how often I flattr this month, I won’t spend more than the money I put in it at the beginning. There is no way of loosing track about how much money you spent.
They pay voluntarily. This includes of course that you are not restricted to first paying and then downloading a song but rather get a completely free song and pay whenever you want and only if you want.
I am pretty sure that there is no way of financing Britney Spears or Lady Gaga this way. But creative, independent music? Probably.
You can’t do anything against music getting illegaly distributed via torrent, usenet, etc.. I think it is a much better concept to take this as a fact and see the pros in it: It is very easy to share and distribute music today, which makes it very easy to get popular and get a large fanbase these days.
My utopian vision of the digital content future is that there is a “Pay/Flattr/Donate” button for the artist on last.fm, on youtube, in your torrent client, etc..
Actually there are several problems (at least in germany) right now: The GEMA forbids artists who are with them to license any of the work they do under a free license. It is also forbidden to double license work, with for example a commercial and a free license.
In my opinion the reason why most artists releasing free music are not very popular is simply because many people just don’t know them. So these are five completely free songs, which I wanted to share.